The exception to this rule - the unnamed maiden of ' The Warlock's Hairy Heart' - acted more like a Muggle's idea of a storybook princess, but there was no happily ever after at the end of her tale. Asha, Altheda, Amata and Babbitty Rabbity were all witches who took their fate into their own hands, rather than a prolonged nap or waiting for someone to return a lost shoe. Īnother notable difference between these fables and their Muggle counterparts was that Beedle's witches were much more active in seeking their fortunes than our fairy-tale heroines. Beedle's stories had helped generations of wizarding parents to explain this painful fact of life to their young children: that magic caused as much trouble as it cured. In The Tales of Beedle the Bard, on the other hand, we met heroes and heroines who could perform magic themselves, and yet find it just as hard to solve their problems as the Muggle heroes did. In Muggle fairy tales, magic tended to lie at the root of the hero or heroine's troubles - the wicked witch had poisoned the apple, put the princess into a hundred years' sleep or turned the prince into a hideous beast. However, there was one very obvious difference. Hermione Granger reading The Tales of Beedle the Bardīeedle's stories resembled Muggle fairy tales in many respects for instance, virtue was usually rewarded and wickedness punished.
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